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Exercises for Chapter IV

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.FILL INDENT 12
	Analyze the following works.  Show the distinctions between
major and minor tonics through the use of upper and lower case
numerals on the two highest levels of the analyses.
.begin verbatim

 
From the 371 Chorales of Bach:*

	1.  Chorale  11, up to the 3/4.
	2.  Chorale  37, all.
	3.  Chorale  47
	4.  Chorale  94
	5.  Chorale  223
 

From the Sonatas of Mozart:
 
	6.  Sonata in D, K.205b (284), last movement, Variation VII.
 
	7.  Sonata in a, K.300d (310), first movement, 24 bars
		starting at recapitulation.  (In cases where there are
		many suspensions and appoggiaturas it is usually best
		to write out a chordal reduction of the passage before
		working out the analysis.)
 
	8.  Sonata in C, K.300h (330), second movement, first 20 bars.
 

From the Preludes, Op.28, of Chopin:
 
        9.  Prelude  1, in C
       10.  Prelude  6, in b
       11.  Prelude 20, in c

_____________
* Note that all bass lines in the Bach Chorales are probably
intended to be doubled at the octave below.  Hence, even if the
notation of the bass part crosses above the tenor part, the bass 
part remains the true bass.
.end